James Gray's 'Paper Tiger' to Debut at Cannes
Entertainment

James Gray's 'Paper Tiger' to Debut at Cannes

authorBy John Lasseter
DateApr 22, 2026
Read Time3 min

James Gray's latest cinematic endeavor, "Paper Tiger," featuring a star-studded cast including Scarlett Johansson, Adam Driver, and Miles Teller, has secured a coveted spot in the competitive section of the 79th Cannes Film Festival. This crime drama marks a return to Gray's characteristic genre-infused storytelling, promising an intense exploration of ambition and familial bonds. The film's inclusion is a testament to its anticipated impact, drawing significant industry and public interest ahead of its premiere.

Anticipation Builds for James Gray's Latest

The Cannes Film Festival has officially announced the inclusion of James Gray’s crime drama, “Paper Tiger,” into its competitive lineup for the 79th edition, igniting considerable excitement within the cinematic community. Starring acclaimed actors Scarlett Johansson, Adam Driver, and Miles Teller, the film's late addition has been met with enthusiasm, promising to inject a notable dose of celebrity presence and artistic depth into the festival, which is scheduled from May 12-23. Gray, a respected figure on the Croisette, has a strong history with Cannes, having screened five of his previous features, including "Armageddon Time," in competition and serving on the jury in 2009. This latest work is expected to further solidify his esteemed position in international cinema, particularly as it marks a return to the thematic complexities that characterized his earlier, genre-rich projects.

The announcement follows widespread speculation after Cannes artistic director Thierry Frémaux hinted that the initial lineup unveiled on April 8 was not yet complete. The French distributor SND recently acquired local distribution rights for "Paper Tiger," further fueling rumors of its impending Cannes debut. Neon, a distributor known for its successful track record with Palme d'Or winners, has proactively secured the North American rights for the film, signaling strong market confidence. The Veterans, a company co-founded by Vincent Maraval and Kim Fox, is managing the international sales, with CAA Media Finance handling North American rights. The collective anticipation from both critics and audiences underscores the film's potential to be a standout feature at this year's festival, particularly given its compelling cast and director.

A Star-Studded Cast Navigates Perilous Paths

“Paper Tiger” delves into a gripping narrative centered around two brothers, portrayed by Adam Driver and Miles Teller, whose pursuit of the American Dream spirals into a perilous entanglement with a Russian mafia scheme. This dangerous alliance not only challenges their aspirations but also critically tests the strength of their relationship and their family's security. The film promises a deep dive into the complexities of ambition and loyalty, set against a backdrop of high-stakes crime. Initially, Anne Hathaway and Jeremy Strong were slated for roles but withdrew due to prior commitments, leading to the casting of Scarlett Johansson and Miles Teller. This recasting reunites Johansson and Driver, who previously earned Oscar nominations for their performances in the critically acclaimed 2019 film “Marriage Story,” ensuring a powerful on-screen dynamic.

The production of “Paper Tiger” boasts a formidable team, with Rodrigo Teixeira producing under his RT Features banner, and Anthony Katagas for AK Productions. They are joined by co-producers Raffaella Leone, Gary Farkas, Marco Perego, Carlo Salem, and Andrea Bucko. Lee Broda, Jeff Rice, Riccardo Maddalosso, and Emily Salveson serve as executive producers, contributing to the robust framework of this anticipated film. Neon, having successfully distributed the last six Palme d’Or recipients domestically, is strategically positioned to promote “Paper Tiger,” alongside other notable acquisitions for this year's festival. These include Cristian Mungiu's “Fjord,” Hirokazu Kore-eda’s “Sheep in the Box,” Arthur Harari’s “The Unknown,” and Na Hong-jin’s “Hope,” indicating a strong and diverse slate for the distributor at Cannes.

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